Virginia Violet and the Rays are the brainchild of Virginia Nastase and Joe Meyers consisting of Dave Vessella on trumpet, Adam Dib on alto saxophone, Garrett Gaina on baritone saxophone, Chris Kendall on trombone, Evan Mercer on keys, Eric Childress on drums, Tommy Porter on guitar, Meyers on bass and Nastase, aka Virginia Violet on vocals. They started their 9-piece band two years ago and have been playing around the Detroit area ever since. Their sound is a fun combination of funk and soul, full of 60’s vibes and motown feels. Their album On the Fringe features ten tracks that blend bouncing horns with retro-sounding vocals and a whole lot of groove.
The album starts with “Go On Without Me” which introduces you to Nastase’s striking vocals. They are bubbling and melodic with the kind of vibe that lets you know she’s definitely cooler than you, all without an ounce of arrogance. The song is fun and vibrant and has just enough old-school flare to strike a sense of nostalgia without feeling hokey.
The rest of the album is full of similar gems, like “Seven Day Lover”, where the Motown feel was front and center and “Muscle Milk” where Nastase shows a little bit more versatility in her vocal range alongside a background of old-school inspired funk.
The album descends perfectly as each following track has a little bit more chill than the last. “Chompin at the Bit” isn’t exactly mellow, but let’s call it Motown mellow. You’re able to really appreciate the bell-like tone in Nastase’s voice that pairs perfectly with the brass. The album ends in a hazy kind of way with “You’re to Blame” which feels lighthearted and playful yet combative and strong.
On the Fringe is more than just fun. It’s an experience. Virginia Violet keeps you bobbing your head in the present day while The Rays take you dancing in Detroit in the 60’s. It’s the kind of album you never realized you needed in your life, but now can’t live without.
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