There was a time in American popular music history where record reviews and music writing was almost more revered than the music it was written about. The age of Robert Christgau, Greil Marcus and Lester Bangs, which began in the late 60s and extends to, in my mind, the birth of the internet and online reviews in the mid 1990s, encompassed a wide range of music, and the birth and death of more than a few genres. This was an […]