CHICD: Peach Fuzz, The Voluptuals, Midnight Opera, and Zigtebra at Empty Bottle – 7/16

My goal is to see one show per week. Yes, I might be that annoying friend that just has to tell you about the thing you missed, but I’m also catching every great show in the city of Chicago–with plenty more ahead of me. Welcome to the Chicago Concert Dispatch.

At the time of this show, it is 29 weeks into the year and I have seen 64 shows.

Kicking off the show this evening were Peach Fuzz, masters of that punk style of singing both in harmony and juuust slightly off key. It worked because of their enthusiasm–they’re fun, and a little sassy, too. I loved how the bassist, Shannon, bounced as she plunked out the rhythms. The whole band had great energy and moved with the music which is straightforward and catchy AF. They played a lot of music that will hopefully be on a new album this fall. I’ll definitely be at that album release party!

As I watched the The Voluptuals set up, I was intrigued. There were umbrellas. There was extra lighting. There was even a smoke machine. Be still my heart! As the lighting bounced off the umbrellas and shifted in color, the smoke machine churned out a mysterious haze. It’s all very theatrical. A lesser band could not stand up to those kinds of set pieces, especially on a small stage like Empty Bottle; one might remember the visuals, but none of the songs. Though I’m entranced by their stage presence, it didn’t distract me from the fact that I was really into their music. It felt both classic and experimental. The audience danced and was obviously thrilled with the show. Their new album is truly worth checking out, especially my favorite song from their set, “Everyone Loves You”.

It’d be difficult for any band to follow the Voluptuals’ set. Midnight Opera’s stage seemed oddly empty for a few minutes, but once I zeroed in on the two front women, it was hard to not be drawn in by their dark sensuality. They’re femme fatales in an old film noir. I loved the looks they gave each other and how they kept the same level of dry stage presence between songs. Even their smiles seemed dangerous, like if I crossed them I might get a swift heeled bootie to the face. Their vibes are languid, matching their somewhat atmospheric sound and making for an interesting set.

Electronic music requires more of an active stage presence in comparison to playing instruments that are more visually demonstrative. Zigtebra had exuberance in spades and great performative chemistry on stage. There were some planned moves and moments, but much of it was loose, emotive, and just plain fun. This particular evening, it was Emily’s birthday, which amplified the energy in the Empty Bottle tenfold. The crowd was obviously supportive and excited to be there celebrating with them.

If you’re looking for a dance party, might I recommend Zigtebra?

Peach Fuzz Facebook | BandcampInstagram
The Voluptuals Facebook  | BandcampInstagram
Midnight Opera Facebook | BandcampInstagram
Zigtebra Facebook | Bandcamp | Instagram